Prada, 1989

Flared coat in fluid wool and satin
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Prada, 1989

Flared coat in fluid wool and satin
  • Item type Coat
    Size M (Estimated)
    Accession PRA100149
    Design house Prada
    Designer Miuccia Prada, (Italian, 1949–)
    Collection Fall/Winter 1989
    Material Wool suiting, silk satin
    Place of origin Italy

  • Before she became known for “ugly chic”, Miuccia Prada mostly made tailoring.

    From her debut collection in 1988, she showed well-to-do, genteel kind of clothes; perhaps inspired by her own wardrobe, but certainly reflective of an era when power suiting was predominant across the fashion landscape.

    By her third show for Fall/Winter 1989, little had changed. As Ingrid Sischy wrote in The New Yorker some years later, Mrs Prada “used conventional, Seventh Avenue solutions. The clothes were overdesigned, and it seemed that commercial considerations and self-consciousness, not the usual articulation of her unconscious, were leading her.”

    Mrs Prada hated making that collection. She laments: “The whole time I was working, I hated everything…. It was not me. It was a nightmare.”

    This flared coat fits squarely in Sischy’s accounts. Made in fluid, finely textured navy wool suiting, a double collar with a wide lapel frames the front. Satin trim runs along princess seams toward a nipped waist, where suede-covered buttons are mounted with a gold keyhole motif—a kind of cheeky metaphor for fastening. Below the waist, the coat opens into a generous, dress-like flare that moves when you do, with pockets set into the side seams.

    Well-tailored as it was, the collection marked a turning point that would prove instrumental to Mrs Prada’s creative growth. As she explains: “If it’s my mistake, it’s O.K. In fact, I like mistakes, because mistakes are what life’s about—they tell you something’s alive…. Yet this was something that made me crazy…. I told them it was the last time others would push me to do what I didn’t want.”

    In hindsight, those keyholes might’ve been foreshadowing; a hint at what she would unlock a few years later: the unconscious instinct and characteristic humor that Sischy described, eventually codified as the brand’s now-canonical “ugly chic.”

    Excerpts from "Some Clothes of One’s Own" by Ingrid Sischy, The New Yorker, February 7, 1994

  • Design
    Medium
    Material Fluid wool suiting
    Composition 100% Wool
    Handle Fluid, soft, textured
    Weight Midweight
    Transparency No
    Stretch No
    Sheen No
    Lining Fluid lining
    Composition 60% Acetate, 40% Cupro Bemberg
    Inscriptions

    Label marked "PRADA Milano"
    Label with brand, material composition and care
    Label with lining composition

  • Marked size Unspecified
    Shoulder width 47 cm
    Chest width 52 cm
    Sleeve length 62 cm
    Waist width 45 cm
    Total length 124 cm

    Product measurements are taken individually by hand from the actual piece. For clothing, these are carefully measured as the piece is laid flat. It may be helpful to compare these measurements to a similar piece you already have.


  • Excellent

    With repair on right armscye lining. The rest of the garment remains well-maintained.

    The evaluated condition describes only the piece itself, and not any inclusions that may come with it, such as dust bags and boxes. Learn more about grading here.

Prada, 1989

Flared coat in fluid wool and satin

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IT42, Excellent   ⓘ